Jan-Heiner Tück presents a work that explores the sacramental theology, lived spirituality, and Eucharistic poetry of the Church’s doctor communis, St. Thomas Aquinas. Although Aquinas’ Eucharistic poetry has long occupied an important place in the Church’s liturgical prayer and her repertoire of sacred music, the depth of these poems remains hidden until one grasps the rich sacramental theology underlying it. Consequently, Tück first offers a detailed but approachable primer of Aquinas’ theology of the sacraments, before diving deeply into the Angelic Doctor’s theology and poetry of the Eucharist. The Scriptural accounts stand at the heart of the systematic framework developed by Aquinas, and thus significant attention is devoted to showing the harmony between the accounts of Christ’s passion and the detailed exposition of the Summa theologiae. Moreover, the Eucharistic controversies of the ninth and eleventh centuries provide the contrapuntal context in which Aquinas did his thinking, praying, and writing. Not surprisingly, therefore, the response he crafts to these controversies draws upon both speculative powers and contemplative prayer, brought together in the unity of Aquinas’ theology and spirituality. The net result is a twofold treasure for the Church: a careful systematic presentation of Eucharistic theology and the lived devotional expression of the same in the carefully constructed—and now much beloved—stanzas of Pange lingua gloriosi, Lauda Sion, Adoro te devote, etc. By revealing the lively interplay of the saint’s powerful speculative intellect and a heart steeped in love for the Eucharistic Lord, Tück offers a sophisticated exposition of Aquinas’ Eucharistic poetry and the roots it sinks into a wider theological framework. Finally, the contemporary significance and power of Aquinas’ work is drawn out, not only in the rarefied realm of intellectual inquiry but also in the everyday expanse of ordinary life.

Christian satisfaction stands at the center of the Church’s teaching about salvation. Satisfaction pertains to studies about Christ, redemption, the Sacraments, and pastoral practice. The topic also enters into questions about God and the creature as well as about the divine mercy and providence. Somewhat neglected in the period after Vatican II, satisfaction now appears to scholars as the forgotten key to entering deeply into the mystery of Christ and his work. Seminarians especially will benefit from studying the place satisfaction holds in Catholic life. Further, ecumenical work requires a proper understanding of the place that satisfaction holds in Christian theology. Various factors operative since the sixteenth century have worked to displace satisfaction almost entirely from reformed practice and theology. To address such concerns, The Godly Image, has, over the past several decades and more, done a great deal to put satisfaction within its proper context of image-restoration. That is, to interpret satisfaction within the context of the divine mercy and not the divine justice. This unique contribution to satisfaction studies owes a great deal to the achievement of Saint Thomas Aquinas. In this sense, the book enacts a retrieval of the theology of the high classical period. Like much of Aquinas’s refined teaching, a proper understanding requires appeal to the commentatorial tradition that follows him. Interested students will find in this study the touchstones for further studies of these authors. The Godly Image aims also to distinguish the theology of Aquinas from that of the medieval author with whom the notion of satisfaction remains mostly identified, that is, Anselm of Canterbury. Although not a developed focus of the book’s contents, the attentive reader will recognize that Aquinas treats Saint Anselm with a reverential reading, even as the Common Doctor moves significantly away from interpretations of satisfaction that suggest that an angry God exacts from his innocent Son a painful substitutional penalty for a fallen human race.